My Essential 100 Albums – 4 – Music in a Dolls House, Family.

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 music in a dolls house My Essential 100 Albums   4   Music in a Dolls House, Family.

The first album by Family is a strange and wonderful thing.  Roger Chapman is blessed with a distinctive, warbling voice.  The band were all talented musicians including Ric Grech on bass and Jim King on sax being just 2.  Being co produced by Dave Mason did not hurt either.

 

Family released this complexly orchestrated album in 1968 and has consistently included in lists of great rock albums since its release.  The band went on to have other well received releases but suffered over the years with in-fights, fist fights and constantly changing personnel.  The result being that I do not think that the band reached its full potential.

 

Having said that this first album was breathtaking in its majesty.  I was never a fan of progressive rock but I regard this as more a jazz rock fusion thing, whatever the genre it has remained a firm favourite over the years.  I can not imagine a CD collection that did not give me the option to listen to the sound of British prog/jazz fusion at its best.

 

Standout tracks, for me, are “Old Songs, New Songs”, “Mellowing Grey”, and “Me, My Friend”.

 

 

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My Essential 100 Best Albums – 2 Gone Aint Gone Tim Fite

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GONE AINT GONE My Essential 100 Best  Albums   2 Gone Aint Gone Tim FiteIt is my quest here to establish those essential 100 best albums that I would save if the house is going up in flames.  The first one to be saved is Strictly Personal by Captain Beefheart and His Magic band.

That was an easy, easy choice.  The second was equally easy.  Gone Aint Gone by Tim Fite was a chance find in 2005.  There was a guy on eBay in the UK whose cousin was The Edge in U2.  The Edge used to pass him lots of promo CDs that had been sent to U2.  Whether that was the truth or not I have no way of knowing.  This guy was selling them off at ridiculously low prices.  I used to buy job lots of 20 at a time.  There was a load of rubbish and some real gems.  I came across bands that were new to me including the excellent PK-14, Twinemen, and The Transplants.  There was also a promo copy of Horses by the great and glorious Patti Smith.

Amongst the piles of CDs was a promo copy of Gone Aint Gone.  This is a wonderful CD.

Tim Fite is an interesting individual.  An American multi instrumentalist he is hard to pigeon hole.  His past releases have run the gamut from alternative rock, hip hop, indie with a bit of country thrown in.  In other words, you do not know what you are going to get, which can be off putting for some.  He produced one album that was railing against consumerism.  Instead of trying to make money out of it (like so many others) he released “Over the Counter Culture” free on the web.  (Damn good bloke in my view).

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Rolling Stones At Hyde Park 6th July.2013

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 We went to see the Rolling Stones in Hyde Park.  There is always a bit of trepidation when you see a band that you love and admire.  Will they be as good as you remember?  How will time have affected them?  Will it seem as if they are only there for the money and are only going through the motions? 

All those fears were set aside as they cam onto the stage at 8.30 and played a full 2 hours to a sold crowd of 65,000 on a hot (and I mean hot) summers day in London’s Hyde Park.  The support bands were great (apart from Temper Trap who are not my cup of meat).  King Charles was superb.  The Vaccines delivered just what you expected of them, all good nothing band.   

The best of the support by far was the excellent Gary Clark Jnr.  The blues is alive and kicking flowing through his veins and out of those magic fingers.  The support was worth the price of the tickets (and as I had to pay over the odds to get the tickets that is saying something). 

The Rolling Stones.  What can you say?  Keef has a paunch, Ronnie has more lines that a train station, Charlie looks like a good old boy that you can meet in any London pub.  As for Jagger, £300 a pop on anti aging cream and a 28 inch waist is a bit odd for a 69 year old.  But he can still belt out a number.  His voice has changed over the years losing some of the urgency and swagger of the 18 year old I first saw.  Making up for those losses were a stage presence that has grown over the years and a voice that has become the epitome of real rock.  Packed with power and delivery skills, his voice still moves you.   

Even the best rock singer in the world would be lost in front of an average band.  The Rolling Stones are anything but an average band.  They all seemed up for it.  They knew each others playing backward with that subtle psychic communication that happens when with people you have known and loved (and occasionally fought over so many years.  God they were good.  Even Charlie smiled! 

The whole weekend cost us more than £1,000.  To put that in context; that is what I earn in a month.  It was about a third of what it cost the two of us to tour India for almost 3 months, including flights. 

 

Was it worth it?  You bet!  

 

Rolling Stones Setlist HYDE PARK 6th July 2013

 

Start Me Up

It’s Only Rock ‘N’ Roll (But I Like It)

Tumbling Dice

All Down The Line (By Request)

Beast Of Burden

Doom And Gloom

Bitch (with Gary Clark Jr)

Paint It Black

Honky Tonk Women

You Got The Silver (with Keith Richards on lead vocals)

Before They Make Me Run (with Keith Richards on lead vocals)

Miss You

Midnight Rambler (with Mick Taylor)

Gimme Shelter

Jumpin’ Jack Flash

Sympathy For The Devil

Brown Sugar

 

ENCORE

 

You Can’t Always Get What You Want (with the Voce Choir and members of the London Youth Choir)

(I Can’t Get No) Satisfaction (with Mick Taylor)

 

My only, minor, quibble was that there was no Street Fighting Man.  But that in the fans choice vote for the next show.  Perhaps we aught to go back next week!

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Music Really DOES Change Your Brain Chemistry

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The strap line on this blog is a quotation from Nick Cave who says that music is the only art form that can change your brain chemistry in 3 minutes.  It is true.  A programme on BBC Radio 4 was talking about the science behind music and made the very same point.  Music affects the brain and releases dopamine.  The mystery is why and how. 

Why some music will release dopamine for one person and not another and what is the mechanism behind this. 

Researchers scanned the brains of subjects while they listened to new songs and asked how much they would spend on buying the tracks. They found that the most popular songs – those which people were prepared to pay more for – were also the ones that elicited the strongest response in the nucleus accumbens, a structure in the centre of the brain that is involved in reward processing.

“This area is important because it’s involved in forming expectations and these are expectations that could be rewarding,” said Valorie Salimpoor of McGill University in Montreal, Canada. “What makes music so emotionally powerful is the creation of expectation. Activity in the nucleus accumbens normally would indicate that expectations are being met or surpassed.”

This still does not explain why some music elicits such a harsh response that I can hardly bear to listen to it.  I have a particular problem with brass band music.  It is not just that I do not find it entertaining, my reaction is more basic.  It is akin to a physical pain.  It hurts me to listen to a brass band! 

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My Essential 100 Best Albums – The First One! – Strictly Personal – Captain Beefheart and His Magic Band. (1968)

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album Captain Beefheart and the Magic Band Strictly Personal My Essential 100 Best Albums   The First One!   Strictly Personal   Captain Beefheart and His Magic Band. (1968)

 The idea behind this list is for me to say which essential 100 best albums I will take with me when I have to go to live in an old folks’ home (not that I am anticipating that in the near future).  The prospect of paring my CDs down to just 100 essential albums is daunting.  However, it is also quite intriguing, which albums would I just have to keep and which, however good, would have to stay behind?

The only self imposed rule is that most artists or bands would be restricted to just one CD.  Obviously, that ‘rule’ will probably not apply to Zappa or Beefheart but will to most people.

Although later choices will be more difficult the first choice is easy.

Strictly Personal – Captain Beefheart and His Magic Band. (1968)

I have written an article about this album or rather How I Met Beefheart elsewhere on this site.  This was the first Beefheart album I heard and is the automatic choice for the essential 100 albums list.

Released in October 1968 I first heard it in 1969 when a friend gave it to me as he had bought it and hated it.  It had a profound affect on me.  It seemed like grown up music.  I had listened to blues, firstly, as part of the British Blues Boom later I had begun listening to the original bluesmen.  This was different.  It was not like the straight blues copies of the BBB, Beefheart had taken a blues and changed it.  Ah Feel Like Acid is the first track on the album and it mesmerised me.

From Strictly Personal I went to the wonderful Safe as Milk, the first album by Captain Beefheart and His Magic Band.  I was a Beefheart believer, sometimes disappointed, often mystified, but always a devotee.

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My Essential 100 Best Albums

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OR Days of Future Passed

OR – Music in a Home

In these days when we are all living longer more and more of us will be faced with be faced with spending our declining years in sheltered housing.  It goes without saying that most of our possessions will not be going to the home with us.  There is not the room in sheltered housing to accommodate a lifetime’s collection of memorabilia, ornaments, and keep sakes.

As that time approaches for me I have begun to think of what CDs I will take with me.  (Do not talk to me of downloads, compressed files etc.  I want to have things to hold, treasure, pore over, and remember when and where I bought them – or the original vinyl). 

Anyway, it would seem to me that any reasonable home would allow about 100 CDs, after all, they take up little space.  The problem is how to pick my essential 100 albums.  I have a dislike of “best of” albums.  The tracks are out of context and invariably, not all the tracks chosen are the ones I want.  I do not want to spend lots of time burning tracks onto my own “best of” CDs.  That, in turn, means that I can only choose one or two albums from every artist or band to ensure I get a good spread.

With most bands restricting myself to one album is easy.  Take The Beatles as an example, there is only one album worth having, Revolver.  Revolver is the epitome of the perfect pop record and so an obvious choice – if I decide I need anything by The Beatles.  Zappa is the complete opposite.  There are just too many great albums, Freak Out, Joe’s Garage, Chunga’s Revenge, Hot Rats to name just 4.  Deciding which one or two to take is going to be a problem.

Over the coming weeks I will start making decisions and update you on my choices.  Please feel free to suggest albums that I should include in my list of essential 100 albums.

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Pretty Things, Dick Taylor, Still pretty Good!

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I saw the Pretty Things on Saturday.  It was the first time in more than 40 years.  I was expecting to be disappointed. I was not.

Dick Taylor was a founding member of the Rolling Stones, pushed out to make way for Brian Jones.  He was always a great guitarist.  We tend to forget that when he formed the Pretty Things with Phil May they became the third best band in the UK quite quickly.  There was them, the Beatles and the Stones,  and they were not a distant 3rd.  I rated them above the Beatles.

They released an album called SF Sorrow that should have propelled them into the stratosphere in the 60s.  Why it didn’t I do not know.  True, it has not aged well.  I played it the other day and was not impressed.  However, how many albums from the 60s really stand up?

In any event, I saw the Pretty Things on Saturday.  Phil May is still there, as is Dick Taylor.  May’s voice holds up.  Taylor’s guitar is a revelation.

Taylor looks like a good old boy.  If you saw him in the street, shuffling down the road, you would assume that he was on his way to the bookies, or the pub.  Put a Gibson in his hand and he plays up a storm.  He can show most of the young axe men  how to do it.  He has nuance, balance and power in his playing.  When he did a few blues slide numbers he showed feeling and touch.

A good night, no, a very good night was had by all.  If they come anywhere near you you HAVE to go to see them.

 

.

 

 

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On This Day – Chas Newby Joins The Beatles 17th December 1960

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 On This Day   Chas Newby Joins The Beatles 17th December 1960

When The Beatles returned from their first stint in Hamburg Sutcliffe decided to stay behind. That gave them a problem, no bass player. Pete best suggested a friend Chas Newby. Newby joined The Beatles on stage for the first time on this day in 1960. The first of 4 gigs he played with them was at the Casbah Club in Liverpool.

The band played another 3 gigs in a way2 week period with Newby on bass. He impressed the others so much that John Lennon asked him to return with them to Hamburg. However Newby was intent on completing his education. He later became a maths teacher. He said that he he never regretted his decision.

The immediate effect on the band was that Paul Mccartney took to the bass. The line up was beginning to solidify .

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On This Day – Sam Cooke Killed 11 December 1964

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 On This Day   Sam Cooke Killed 11 December 1964

A new RCA Contract

On this day, 11th December 1964 Sam Cooke, the popular R&B singer was shot dead and later a verdict of justifiable homicide was recorded. He was shot dead by Berth Franklin who was working late night reception at a $3 an hour hotel frequented by prostitutes. He was shot after attacking Franklin who feared for hear life. He had attacked Franklin when looking the woman he had attempted to rape. Does not read right, does it? But that is the official version.

Here what is known and a bit of what is speculated. Cooke ways having dinner at a LA restaurant Martoni’s with producer Al Schmitt and his wife. While there Cooke picked up a woman called Eliza Boyer . He agreed to meet Schmitt later at a club called PJ’s. When they arrived there in the early hours the Schmitts had left. Cooke and Boyer carried on partying.

Later he drove her to a motel in his new Ferrari. Two points, why did he drive 18 miles, past other, better hotels to a hotel known to be used by hookers ? Second, if he was intent on rape why take her to somewhere where he would have to register?

He signed the register as Mr & Mrs Cooke. If he was going attack her why use his real name? Anyway the new Ferrari would have been easy to trace, safer to use a different car.

If Eliza was scared, as she said, why not run off when he left her alone in the car to register.

She said that he attacked her in the hotel room, but stopped to allow her to use the bathroom. He then used the bathroom himself. That does not sound like a frenzied attack by someone who was out of control.

While he was having a pee she grabs her clothes, and most of his and runs from the room to the reception. Bertha Franklin, does not answer and runs off into the night later dropping his clothes, getting dressed and calling police.

Meanwhile, he finds his clothes,apart from one shoe and his jacket are gone. He runs to the reception, breaks the door down and attacks Franklin.

She shoots him, he keeps coming at her to. She hits him over the head with a broom handle. He falls down and is dead before the police arrive .

Following?

Some more points.

He had a large amount of cash on him earlier in the hotel evening, thousands of dollars. He was going to buy Christmas presents the next day. The police found $107 on him.

Witnesses heard 3 shots, Franklin said that she hit him with the first one. There was only evidence of cash2 being fired in reception. The autopsy said the wound, the result of the first shot, would have killed him, instantly.

The wound on his head was the result of him being hit with a large blunt instrument, not a broom handle.

Franklin had been involved in another shooting at the same hotel only 6 months earlier.

The bullet that killed him entered between the 3rd and 4th rib hitting neither but hitting his heart either a very good she or a very lucky one.

Cooke had renegotiated his RCA contract getting ownership of his master tapes and royalties. That had not made him any friends.

He was close to Malcolm X. That would not make him popular with X’s old friends (we know what happened to Malcolm X).

Cooke was involved in the civil rights movement. Again that had made him enemies.

Is the verdict open to question? Oh yes.

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Patti Smith is Coming Back!

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patti smith 008 Patti Smith is Coming Back!

Patti Smith: ‘One of the few figures with a firm handle on the shaman-poet imperative.’
Patti is 65 and has released her 11th album. Banga has received great critical acclaim.  The Observer was particularly fulsome in its praise.

“People often talk about music fandom as a secular religion, one of many founded in the 20th century to replace the old church. In the communal gig experience there is the rush of elevation. Lyrics are studied like scripture. Fans are devoted to their idols. The trouble is, the idols aren’t often all that awe-inspiring. Rock has long resembled a cacophony of minor deities waiting for some proper monotheism to come along.  One of the few figures with a firm handle on the shaman-poet imperative has been Patti Smith. Banga is the 65-year-old’s 11th album, one of the most satisfying of her latterday career. A performance poet before she ever got a band together, Smith’s electrified presence and aggressive, incantatory style – part Dylan, part Jersey girl – have always aspired to a frequency that you might call sacred, if that word hadn’t been sullied by the so-called new age. “Oh crown of wind, two royal leopards run with him,” she murmurs on Seneca as circuitous guitar tones set out a mantric path. Out of context it might read like sophomoric poeticism, but like every song Smith sings it comes to the ear like a spell.”

What can I say?  I love this woman.  I love her and all her works with a passion.  This what grown up music sounds like, spellbinding, beautiful, mysterious and seriously though provoking.

The main point is that we can all see her, again.  My only problem is that I have booked seats to take Jane to see an Abba tribute band, as a surprise and that happens to be on the same night as Patti is in Manchester.  As it is a surprise, if I don’t tell her she won’t know what I had planned……………..

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